Naoshi OKURA                 current     curriculum vitae     images     sounds     texts     links     contact 

                                                    
                        texts                                                      "The Mass Between Us" text by Marianne Zamecznik

                                                                                       
                                                                                      Rhythm is also a feature of Naoshi Okura's sound- and lightscapes.
In his search for a new language, the artist has reduced his materials
to light and sound. Light particles are so small we cannot feel
them. For Okura, light is a mass that surrounds and connects us.
Unlike language, light has no semantic limitations, no frames defining
an outside or inside. He uses sound in the same way; since
the human ear can only register frequencies between 20 hertz and
20 kilohertz, we cannot hear ultrasonic or infrasonic sounds, although
the body can feel the latter, as vibrations that resonate in
the physical world. Using sound and light as his only tools, Okurafs
environments offer opportunities to appreciate art without the use
of language. His work aspires to expand human perception, allowing
us to experience a new reality that has previously been unavailable
to us.